1. The Courtyard Layout
The Patio de los Arrayanes is a long rectangular courtyard measuring approximately 36 metres in length and 24 metres in width. The dominant feature is the rectangular pool that runs the full length of the space, fed from the north and emptying to the south. On either side of the pool stand porticoes: the north and south porticos consist of carved stucco arches supported by marble columns, creating deep colonnaded galleries that provide shade and shelter. The rhythm of the columns, the proportions of the courtyard relative to the height of the surrounding palace walls, and the plane of the water surface create a space of geometric perfection. Every surface and sightline was calculated to frame specific views and create a sense of undisturbed calm.
2. The Reflecting Pool
The pool is approximately 34 metres long and 7 metres wide, its depth modest by design to ensure the surface remains still and clear. The water moves gently rather than turbulently, a technical achievement that required careful control of the inlet and outlet systems. In Islamic garden tradition, water serves both practical and symbolic functions: it provides coolness and humidity in a dry climate, but also represents life, purity, and continuity. The reflecting surface transforms the courtyard into two realms — the physical space above and the inverted mirror below. A visitor standing at one end sees the colonnade doubled, the sky duplicated, the Comares Tower reflected in full. This doubling effect was intentional and central to the Nasrid vision of harmonious space.
3. Comares Tower and Its Reflection
The Comares Tower (Torre de Comares) rises 45 metres above the palace, visible from the Patio de los Arrayanes primarily from the southern end of the courtyard. The tower was the most important and symbolic structure in the palace — the seat of the Sultan during the 14th century, and the location of the throne room. The reflection of this tower in the still water creates one of the most photographed views of the Alhambra. From the southern edge of the pool, the tower appears to be suspended upside-down in the water, its massive square form and crenellated crown perfectly mirrored. This reflection was not accidental; it was a deliberate compositional strategy. The Nasrid architects understood optics and designed the courtyard so that certain vantage points would produce maximum visual impact.